Hole Studies. Fonograf Editions, 2022. Essay collection.
Strawberry Fields. Winner of the Fence Modern Prize in Prose. Fence Books, 2018. Novel.
Watchfires. Awarded the 2018 Great Lakes College Association New Writers Award for Creative Nonfiction. Rescue Press, 2016. Essay.
They Dragged Them Through the Streets. FC2, 2013. Novel.
“Work, or the Swet Shop Boys.” Granta, September 2020, Essay.
“‘I planted the sun in the middle of the sky like a flag’: In and of Etel Adnan’s Arab Apocalypse.” College Literature, July 2020, Article.
“Room after Room in The Report.” Los Angeles Review of Books, February 2020, Review.
“The Novel at the End of the World: An Inquiry.” Writer’s Notebook, November 2019, Essay.
"Strawberry Fields." Wrath-Bearing Tree, July 2018, Novel Excerpt.
“Alice.” Fanzine, April 2018, Novel Excerpt.
“Narrating Forgetting.” Brooklyn Rail, September 2018, Essay.
“Strawberries.” The Spectacle, Spring 2016, Short Story.
Hilary Plum (she/her) is the author of several books, including the essay collection Hole Studies, the novel Strawberry Fields, and the work of nonfiction Watchfires, which received the GLCA New Writers Award. Excisions, a collection of poetry, is forthcoming from Black Lawrence Press in 2023. She teaches fiction, nonfiction, and editing & publishing at Cleveland State University and in the NEOMFA program, and she is associate director of the CSU Poetry Center.
With Zach Savich she edits the Open Prose Series at Rescue Press. Recent work has appeared in Granta, American Poetry Review, College Literature, Fence, Cleveland Review of Books, and elsewhere.
New England, variously.
Lakeview Cemetery, in the evening as you try to get to the gate before it closes. Mac’s Backs Books on Coventry. In the Syrian Cultural Garden when the roses are out. By the breakwater along Lake Erie when feral cats emerge from the rocks.
The MFA offers an opportunity for sustained, engaged reading and writing: the committed practice of literature. This is of especial value in a culture that prefers the demands of production, distraction from the workings of power, and the confining sense of individualism from which reading liberates us. MFAs aren’t perfect institutions, and they’re not the only way to read and write rigorously. But they help nourish the work of literature, benefiting us all.
The NEOMFA is a site of energy, promise, engagement, and community here in Northeast Ohio, supporting regional writers and writing and connecting us to the endless realms of literature. I believe in what the program can offer students, writers, readers, teachers, publishers, booksellers, and the larger community.
So far in 2022, I’ve been loving reading and rereading Free Clean Fill Dirt by Caryl Pagel, The Complete Stories by Clarice Lispector (trans. Katrina Dodson), PMS by Dot Devota, These Trees, Those Leaves, This Flower, That Fruit by Hayan Charara, Revenge of the Scapegoat by Caren Beilin, Sink by Joseph Earl Thomas, Minor Detail by Adania Shibli (trans. Elisabeth Jaquette), Say Nothing by Patrick Radden Keefe, Voices from Chernobyl by Svetlana Alexievich (trans. Keith Gessen), and more I’m surely forgetting... I’m looking forward much to reading Maafa by Harmony Holiday, a new book of stories by Robin McLean out this fall, Our Dark Academia by Adrienne Raphel, and whatever’s next from detective novelists Denise Mina and Tana French…
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